Chinese Documentaries: From Dogma to Polyphony
Yingchi Chu
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.
Categorías:
Año:
2007
Edición:
1
Editorial:
Routledge
Idioma:
english
Páginas:
272
ISBN 10:
0415375703
ISBN 13:
9780415375702
Serie:
Media, Culture and Social Change in Asia Series
Archivo:
PDF, 2.82 MB
IPFS:
,
english, 2007
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